December 31, 2007

The 15 Questions: The Natural History of Tim Girvin

1. How did you get your start?

My start? Raw curiosity for one. That’s where it all started, that drove, and drives everything that I am made of. I am one that is easily enchanted by content. I can be ignited in a moment, if the right spark is there. A love of the exploration of many things. Many, many things — so much so that my real beginning was as a biologist, a naturalist, with a leaning marine natural sciences . And from there, my professor suggested that I take the lab journals and drawings that I’d done, and explore art, history, writing, culture — and merge them somehow. So in the beginning, my work was about fine printing, papermaking, press work, book design and customized typography and type design. That was, literally, the design of typefaces — the art of conceiving the letter form as an object of potent scrutiny. But doing that meant that I could also do signwriting and truck lettering, painting on boats. Windows. Retail and shopfronts. And from there, that love combined to emerge in a grouping of ways for working with my clients (friends) to take all of those things, like printing, calligraphy and the fine arts, and make them into something that could be retooled and remade as a kind of specialist designing and consulting service. The beginning, alone, later, to small teams — and finally out to nearly 90 employees. Then back to a more manageable size. Something better, that would be my goal, in strategy and scale: 40 people — more capable of visioning and surveilling the work — as a creative leader.

Read More>>

December 27, 2007

Apple As Luxury Brand

apple_luxury_01.jpg
Susan DeChillo | The New York Times

Read More>>

December 24, 2007

The most beautiful in the world

Design, in beauty — is where the
application is all the more wondrous.

Read More>>

December 23, 2007

what way, found, what path, known?

I’ve been drawing — painting — things like this for some time.
path_01.jpg
path_02.jpg
path_03.jpg
path_04.jpg
path_05.jpg

Read More>>

December 20, 2007

Interactivity

12.20.07

in·ter·ac·tive /ˌɪntərˈæktɪv/
–adjective
1. acting one upon or with the other.
2. of or pertaining to a two-way system of electronic communications, as by means of television or computer: interactive communications between families using two-way cable television.
3. (of a computer program or system) interacting with a human user, often in a conversational way, to obtain data or commands and to give immediate results or updated information: For many years airline reservations have been handled by interactive computer systems.
[Origin: 1825–35; inter- + active]

Read More>>

December 18, 2007

The line: Adam Tihany | Restaurant designer

adam_tihany_01.jpg
Photography by Brent Murray

Read More>>

December 17, 2007

Cut Rock | Rock Cut: soul patterning

cut_rock_01.jpg

Read More>>

Claude Chirac | Director of Communications | PPR | 12.16.07

chirac_01.jpg
Elle Magazine

Read More>>

December 16, 2007

40 Bond | Ian Schrager | Brand + Architectural Patterning |12.2.07

ian_01.jpg

I’ve offered some expression of the opening vision of 40 Bond and I’ve been watching the evolution of that project. I went back. I had a couple of meetings in that area, NOHO, I’m guessing. Kimberly Sheppard from Gabellini | Sheppard. And Clodagh’s right there, too.

Read More>>

December 14, 2007

Yves Saint Laurent | the personal, the person

ysl.jpg

I’d worked for Yves Saint Laurent to explore the story in the context or retail design and brand strategy a year ago — working under the leadership of YSL President Laura Lendrum and her EVP | Retail Design, Claudia Cividino. The work was a gathering, a collective effort, using the methodologies of the BrandQuest® tools that our teams have created and evolved over the course of the last 20 years.

Read More>>