by Tim Girvin | Concepts, Storytelling | Apr 22, 2014
When you draw a letter, what happens? A drawing is a drawing out; draw a letter, the string of story unspools and it’s something more. A letter is a map, an anciently originated succession of markings, a thought cartography, a seared, scarred, scratched, penned,...
by Tim Girvin | Concepts | Feb 18, 2008
The very center of the work that I do lies here, in the heart of the letterform. There can be just that one touch, that relates to the person. D.4-D. The letter, big or small, translates to content. c1460 G. ASHBY Policy Prince 648 Poems (E.E.T.S.) 33 Yf god sende you...
by Tim Girvin | Motion Pictures, Storytelling | Aug 1, 2007
Beowulf What calls, from ancient halls, the spirit of that other distant world, far more than a thousand and five hundred years back in the balled skein of time? Beowulf! Palaeography, or the history of the written world has long been a strategic underpinning of what...
by Tim Girvin | Concepts, Motion Pictures | Feb 24, 2007
There’s another symbolic value to the O and the 1 beyond the nature of the digital translation of content and interpretation. O, the curved enclosure — is, in sequence etymologically — from Sanskrit — the sunya; Arabic, sifr; Medieval Latin,...
