by Tim Girvin | Brands, Motion Pictures, Retail, Storytelling | Feb 18, 2026
Classical lettercraft meets a precision draft, engraved in steel. In the spring cleaning of our moves to GIRVIN’s 16th office location, in the West Queen Anne Elementary School, in Seattle I was sorting through a grouping of files—like a large grouping, dozens of...
by Tim Girvin | Concepts, Motion Pictures | Nov 21, 2025
What sways to blandishment? A lot of discussions around last week’s blog— and the notion of brand blandism, and some asked, “wait, so you’re saying that san serif is too bland, too plain, not… ‘exciting’ enough?” No, that’s not the point. As I’d mentioned before, in a...
by GIRVIN | Brands, Motion Pictures | Mar 22, 2019
March 24th marks the 416th anniversary of Elizabeth I of England’s death. Because of this, we thought it would be an opportune time to look back on how we researched and developed the title design for Mary Queen of Scots. When working on film branding, we believe it’s...
by Tim Girvin | Cool People, Motion Pictures, Storytelling | Aug 1, 2018
by Tim Girvin | Brands, Motion Pictures, Storytelling | Sep 27, 2017
BUILDING DESIGNED BRAND STORYTELLING IN THEATRICAL MARKETING | JOURNALING STRATEGIES AS DESIGN THINKING. I used to teach workshops called “Find Your Raven.” These were journal workshops built for people to explore writing, page composition, collaging life experience...
by Tim Girvin | Cool People, Motion Pictures | Jul 13, 2016
What goes around, comes around— youthful lettering dabbles becomes a full time career. In GIRVIN’s history as designers for theatrical marketing and advertising, we’ve got legacy, a heritage of literally hundreds of motion pictures — starting with kickoff logo...
by Tim Girvin | Concepts, Motion Pictures | Feb 24, 2007
There’s another symbolic value to the O and the 1 beyond the nature of the digital translation of content and interpretation. O, the curved enclosure — is, in sequence etymologically — from Sanskrit — the sunya; Arabic, sifr; Medieval Latin,...
