fbpx

WORK WITH US

LOCATION

Seattle
New York
San Francisco

3131 Western Ave
Suite 510
Seattle, WA   98121

t 206.674.7808
f 206.674.7909
info@girvin.com

360 Riverside Drive
Suite 7D
New York, NY   10025

t 212.924.7331
f 212.924.7310
williams@girvin.com


t 206.674.7864
m 925.212.0140
f 206.674.7909
mack@girvin.com

GIRVIN | Strategic Branding & Design | Seattle

GIRVIN | Strategic Branding & Design | New York

The symbolism of the window

windows

Thinking design / portals of storytelling / brand / story / insight.

In the window to experience, you see in: in=sight.
In the window to the object: circumspect — you walk around, surveil from the circumference.
In the window to the soul: you sense wholly.

There’s a symbolic ligature, a stitching, to what I see — in, and what I see, out.
I can see beyond the wall, through the glass — and, like a dream,
I am transported from one place, through planes, to another.

I was writing something on the symbolism of windows
as a designer, the glassy-eyed portals of buildings,
that — in their visioning — cut openings,
we can see somewhere,
out, in, beyond, deep.
Still, too, there is patterning in the storytelling of fenestration — the multi-eyed of Argus, many eyes, seeing in and out, on the skin, the facial facade of the building.

They are cause for meditation.

When you see out, you see through, you see in, “how does that happen?”
Eye in an eye? A torn paper bag, a masked eyelet, a slit in the gap of buildings, a windowed slice of light that strikes down a stairwell, splitting a corridor?
A piece of old glass, warbling in the gravity of time, slumping in the fluency that drives glass molecules to slide downwards?

With my Mother, who’s an inveterate watcher of people, we’d walk the neighborhood, and say: “what do you think they’re talking about; I wonder what’s happening in there?”
All, windows.
In, out.
Like any designer, when I see glass, I wonder about “containment.” How are they “framed?”
What “holds them?”
Color, material, degrees of translucency and transparency.
These, gathered from a friend, who never intones where they came from.
Searching, I couldn’t find them.
Color.
Containment.
The detailing of structure.

What holds the eye,
in the eye,
seeing through the eye?

windows
windows
windows
windows
windows
windows
windows
windows
windows
windows
windows
windows
windows
windows

TSG
…..
G I R V I N | DESIGNING MOVIES
THEATRICAL BRANDING + ENTERTAINMENT
IMAGINATION: AND THE TOOLS TO MAKE IT HAPPEN

http://bit.ly/seAMZf

Girvin reels:
http://www.youtube.com/user/GIRVIN888

girvincontent:
http://blog.girvin.com/
http://tim.girvin.com/Entries/index.php