by Tim Girvin | Brand Mysticism, Concepts | Aug 14, 2025
You I’ve been workshopping, talking, and listening to, people about their brands, and the notation of distinctivity—the characteristics of differentiation. Of course, as any brand strategist, designer, steward, you might be thinking, “yes, I work on a brand— but,...
by Tim Girvin | Concepts, Places, Retail | Aug 5, 2025
The Nuance of the Hand-Wrought Being a handworker—a person that, over the last half century, has utilized my hands as a consistent pathway to the articulation of ideas, I tend to look for, and create in, the spirit of those things. You—being a creative person—know...
by Tim Girvin | Concepts, Cool People, Storytelling | Jul 25, 2025
Using history and allegory to explore what lies beneath I was teaching a client and friend the particulars of Asian brush work, how to draw and paint using the vocabulary of two intertwined forms of Chinese-based, Japanese painting, suiboku-ga and haboku. With my...
by Tim Girvin | Concepts, Storytelling | Jul 16, 2025
The roll of the sea, the waves of change, and riding the future. Where I surf the waves are irregular and wild—they gather steam from global swells and mix up in a frothy mix that is distinctly inarticulate on the Northerly shores of the Washington coast, by...
by Tim Girvin | Brands | Jul 9, 2025
An color-washed innovation in handcrafted lettering for commerce During my earlier years, I got a grant from the National Endowment for the Arts, in funding a journey, a type designer’s odyssey—my so-called “Alphabet Odyssey,” to meet, talk and share with the...
by Tim Girvin | Brand Mysticism, Concepts | Jun 26, 2025
We tend to think allegorically about the work that we do— brand as fire, design as transformation, and markings as magic. And plenty of the clients that we work with think of their enterprises as deeply metaphorical and soulfully intentioned —light bringers, wellness...
by Tim Girvin | Brand Mysticism, Concepts | Jun 18, 2025
Developing Hand-crafted Symbols as Deep Metaphors During my college years, I studied calligraphy with Lloyd Reynolds— the maestro of the calligraphic arts that inflamed Steve Jobs, during Steve’s limited foray at Reed College. And a core precept—this would be the I +...
by Tim Girvin | Places | Jun 11, 2025
Designing a hand drawn stamp for the United States Post Office Everyone knows that I’m moving; I’ve been in—and out—of the Northwest Industrial Buildings at the foot of Queen Anne Hill, crossed in the nexus of Denny and Western, for 30 years. I was actually here, as...
by Tim Girvin | Brand Mysticism, Concepts, Storytelling | May 30, 2025
Brand Chains, Ropes, Knots and the Entwinement of Meaning As a Boy Scout—even out to the rank of Eagle—I always had a fascination with knots, ropes, lashing, sea-and-water craft in the tradition of sailing. In scouting there is an expectation, as I’ve noted earlier,...
by Tim Girvin | Brands, Storytelling | May 22, 2025
All the work that GIRVIN designs is bespoke, it’s customized per project. Designing customized typographical treatments for identity programs would be obvious for any designer worth their salt. Since the latter 70s, about 5 years into the draft of design, I’d always...
