by Tim Girvin | Concepts | Aug 5, 2014
The Alphabet and Evocation; drawing the letter; voicing the calling. I got a note from some friends at the Oxford English Dictionary. It was about this word: “abracadabra” — and perhaps you’ve got the same one, since you might have friends there too. Earlier in my...
by Tim Girvin | Concepts | May 1, 2014
THE FOLIAGE OF THE ALPHABET AS THE DEEPER HEART OF WISDOM Perhaps universal history is the history of the diverse intonations of a few metaphors. – Jorge Luis Borges, “Pascal’s Sphere,” 1951 I’ve drawn a word a day on leaves, thinking: each word, as a work...
by Tim Girvin | Brands, Cool People, Motion Pictures | Apr 10, 2014
Designing the Alphabet of the Film, “The Matrix.” The metaphors of threading, rain, flow and the loom of meaning in context Working with Warner Brothers, Joel Silver and the Wachowski siblings on “The Matrix” was a highlight in a string of...
by Tim Girvin | Concepts | Sep 12, 2013
The Talismanic Alphabet, Mystical Calligraphy. It’s been said that the roots of the alphabet aren’t a scientific and archaeologically sequenced discovery, but rather a revelation, something from the magic of meaning, the scribing of the psychic...
by Tim Girvin | Concepts, General, Storytelling | Nov 27, 2011
THE LAYERING OF TEXT | ALPHABET RHYTHMS | GALLERY V THE STATE OF WOWNESS* AS A PERPETUAL STUDENT OF THE ALPHABET, I’M PRONE TO EXAMINE THE MYSTERIES THAT LIE IN ITS STROKING — ONE STROKE, THE FIRST, IS A LINE. ONE LINE, BEGINS THE MARKING OF THE WHO, THE...
by Tim Girvin | Concepts, Storytelling | Oct 31, 2011
And the Mystery as to Their Drawn Quarters Go back to a hidden Girvin site, long retired, here, to find the story of many in the drawing of the alphabet. In thinking about the mind as a room — the alphabet is right there, in the entwinement of story and legend...
by Tim Girvin | Concepts, General | Aug 6, 2010
ALPHABETICA | THE STROKES OF THE ALPHABET STROKES, FINISHES, GESTURES, DETAILS — ON THE SERIES OF THE RIGHTFUL MOVES. Teaching calligraphy: the craft of the letter at Girvin. A broadside from 1975, still used in the calligraphy classes at Girvin There’s a...
by Tim Girvin | Concepts | Jun 21, 2010
Notes on signing, wayfinding, alphabets and recognition. When you are lost, where do you go, what do you do? You can, metaphorically, look for a sign. That might help. Or you can look at a map. They are the same thing. A sign is a map. A map is, in fact, a grouping of...
by Tim Girvin | Concepts, Motion Pictures | Mar 10, 2010
The Character of the Alphabet and the Maze of Knowing, the Real and Uncertain. What’s real, anyway? And — to the question of “any way, which?” what is the right “reading”? There’s a mystery in the alphabet — one, ages...
by Tim Girvin | General | Jun 13, 2009
Images credit The geography of the mind, mapped in place In a way, any drawing that we create, is a kind of signature. Designing is demarcation. And the origin of the alphabet, stretching back 3,500 to 4,000 years ago, to the proto-sinaitic beginnings is, in fact, a...
