Search results for: hand touch
by Tim Girvin | Concepts, Designers, General, Retail, Trends | Aug 18, 2011
Thinking Craft, Materials Cutting and Computation I’ve been working on a series of journals. Recently, I’d been drawing from a iPad — and learning to craft formats and visuals that cross from photographic gatherings — and scribed, live,... Read More
by Tim Girvin | Concepts, Interior Design | Jun 20, 2011
Sensations in Experience (Design) In working through a series of materials for a new retail concept, it was interesting to see the preponderance of materials that lusted after the slickest vocabulary of finish. Easy to clean. But, to the nature of soul in (brand)... Read More
by Tim Girvin | Brands, Concepts, Cool People, Trends | Dec 3, 2009
Examining the principle of integrated marketing, experience design, and the semblance of the sentient. I’d start with this poetic assemblage. Memories reach back. They are the string from the now, to the then. They link where we are, what we are, to what... Read More
by Tim Girvin | Concepts | Apr 8, 2014
WHEN I GET CLOSER, I KNOW MORE As I touch something, I can feel inside. Isn’t it so, for you, that when you touch something, you know more? In a conversation, touching the person that you’re communicating with, adds a series of punctuations and pauses that... Read More
by Tim Girvin | Brands, Concepts | Feb 5, 2015
I LIKE TO BE TOUCHED. And I like to touch. Just one way to sense is to touch. In having a conversation with one, I find that a touch is a way to link to someone in a different way — it’s a bond that will take the track of a discussion from one tack to another. Touch —... Read More
by Tim Girvin | Brands, Motion Pictures | Feb 11, 2013
Design studies for the LOTR and Peter Jackson The process of film identity and brand development is intensely competitive, there are a series of talents, team and agencies whose sole enterprises are focused 100% of the time on theatrical advertising — for an... Read More
by Tim Girvin | Brands, Storytelling | May 20, 2013
Telling the story by hand and meditation. I can recall designing and writing out a phrasing by Michelangelo Buonarroti, “By hand, which follows mind and meditation.” It’s actually a telling that follows a longer contemplation: “The best of... Read More
by Tim Girvin | Concepts, Storytelling | May 3, 2016
The hand with heart holds more I was wandering, looking down old alleys, plazas and ancient streets. And I spied an old friend. The Hamsa. خمسة | חַמְסָה The Five. I used to wear one of these in college, during another phase of talismanic connection. I lost it... Read More
by Tim Girvin | Artists, Motion Pictures, Storytelling | Jan 31, 2019
THE DRAWING OF MOVIE LOGOS AS A STATEMENT IN THE ARTISAN INSIGHT: FROM MIND TO EYE TO HAND AND THE ILLUSTRATION OF LANGUAGE AND IDEALS. When I was in college, I didn’t really study conventional “graphic design,” in fact, I skipped it altogether. The module on... Read More
by Tim Girvin | Concepts, General | Oct 18, 2009
The real of the senses: a journey into the heart of the book, experience design and the librarian instinct of content. I won’t pretend to be a scholar on this matter, let alone offering anything but the obvious. But this past week, working in Bend, speaking at... Read More
