Search results for: teaching calligraphy
by Tim Girvin | Artists, BRAND MYSTICISM, Cool People, Designers, Storytelling | Nov 28, 2018
CONCEPTIONS OF ITINERANT LEARNING—EXPLORING THE “GO THERE, GET OUT OF HERE” MODELING OF EDUCATION. “YOU COULD LEARN MORE IF YOU ACTUALLY WENT THERE.” I was talking to an LA team on my traveling, vagrant-based approach to learning—leaning-in to learn by... Read More
by Tim Girvin | Concepts, Cool People | May 14, 2010
And me. A week back someone said, “why are you always writing about Steve Jobs, I mean, really — what’s the connection?” Calligraphy The connection goes back to Stanford. And the Stanford Conference on Design. Back then, I would go to these... Read More
by Tim Girvin | Artists, Concepts, Storytelling | Feb 28, 2023
THE INTEGRATION OF MESSAGE: GRAPHICAL EXPRESSIONS IN A SCALABLE SOLUTION. TINY CAN BE GIGANTIC, SMALLER CAN BE EMULATED IN A TIERING OF ENLARGEABLE OR REDUCIBLE DESIGN TREATMENTS, NOT MERELY AS DESIGN THINKING—BUT AS A DIRECT LINK THE GENETICS OF THE DESIGN. THE... Read More
by Tim Girvin | Concepts, Storytelling | Aug 22, 2018
THE VERY NATURE OF THE WORD CALLIGRAPHY PRESUMES BEAUTY, THE QUEST FOR A LETTER FOR WELL AND BEAUTIFULLY DRAWN—AND TO SOME, DISTINCT FROM LETTERING, WHICH IS MORE OF A BUILT FORM OF LETTER-MAKING. Make by hand, drawing letterforms is a foundational prelude to type... Read More
by Tim Girvin | Artists, Concepts, Cool People, Designers, Storytelling | Apr 27, 2022
Obviously, the question of beauty doesn’t propound solely a complicated design— instead, it could be profoundly simple—so delicately balanced and restrained that it catalyzes disciplined elegance. But when one calculates the etymology—in reverse—of beautiful graphics,... Read More
by Tim Girvin | Brands, Concepts, Cool People | May 6, 2015
The Draft of Knowing — Stroke on Stroke, Journey to Journey, Line to Lineage. [a b o v e] Presentation wall, with calligraphic drawings and educational references, photographic brand boards, working tools, broadsides and flow examples. [FIRST POSTED 2010] A couple of... Read More
by Tim Girvin | Concepts, Storytelling | Sep 13, 2017
TO GO FORWARD, YOU GO BACK. WRITE WHAT WAS. In my own experience, the study of the craft of design — which is, as we have explored — the signing of persona and intention, message and visual character, personally interpreted. To presume that a designer acts as a kind... Read More
by Tim Girvin | Concepts, General | Aug 6, 2010
ALPHABETICA | THE STROKES OF THE ALPHABET STROKES, FINISHES, GESTURES, DETAILS — ON THE SERIES OF THE RIGHTFUL MOVES. Teaching calligraphy: the craft of the letter at Girvin. A broadside from 1975, still used in the calligraphy classes at Girvin There’s a... Read More
by Tim Girvin | Concepts, Designers | Dec 10, 2015
Focusing: the Flow of Ideas, Strokes and Inspiration: Teaching Calligraphy and Designed Exploration A study of letterforms, the calligraphic drawing of educational references, paleography and alphabetic history, photographic brand boards, broadsides on rhythm and... Read More
by Tim Girvin | Artists, Concepts, Storytelling | Jun 7, 2017
THE BASTARD LETTER | LITTERA BASTARDA, JON SNOW & THE CALLIGRAPHY OF THE GAME OF THRONES GIRVIN CALLIGRAPHY CLASSES WALK OUR TEAMS BACK IN TIME — THE CRAFT AND HISTORY OF THE LETTER, A JOURNEY IN PALAEOGRAPHY AND CULTURAL HISTORY. What was drawn then, what was... Read More
