Search results for: teaching calligraphy
by Tim Girvin | Artists, Brands, Concepts, Storytelling | Aug 17, 2009
Exploring the origin, development and renewed applications of the word. Brand storytelling, animated in humanized beauty — mind, thought, hand, expression. Calligraphy is beauty and writing, combined. And it’s long been seen as a kind of remote and obscure... Read More
by Tim Girvin | Artists, Motion Pictures, Storytelling | Jan 31, 2019
THE DRAWING OF MOVIE LOGOS AS A STATEMENT IN THE ARTISAN INSIGHT: FROM MIND TO EYE TO HAND AND THE ILLUSTRATION OF LANGUAGE AND IDEALS. When I was in college, I didn’t really study conventional “graphic design,” in fact, I skipped it altogether. The module on... Read More
by Tim Girvin | BRAND MYSTICISM | Mar 28, 2018
THE STUDY OF THE PAST TO ROLL TO THE FUTURE: INVESTIGATING THE HERITAGE OF ART, ENERGY, MEANING, MEMORY AND CONTEXT IN THE WRITINGS OF HSIEH HO, 6TH CENTURY CHINESE ART CRITIC. It’s been said by one that “Energy is eternal delight.” William Blake As I keep working... Read More
by Tim Girvin | Artists, Concepts, Designers | Mar 22, 2016
Sometimes you go back to go forward There’s a noun that is oftentimes used in contemporary parlance: “creatives,” as a description for those that work in creative and maker space. It’s an interesting idea, using an adjective as a noun, but it works. I was sitting at a... Read More
by Tim Girvin | Cool People, Motion Pictures, Storytelling | Sep 12, 2018
THE DESIGN OF THE SERPENT AND THE RAINBOW. Isn’t it so that there’s a pattern? As a person that’s been writing strategy and designing for just short of a half century, I get around. See things. I see into things as a designer and a professional; and I see things as a... Read More
by Tim Girvin | Brands, Concepts, Cool People, Storytelling | Jan 24, 2017
ROSHI HARADA SHODO THE MOST IMPORTANT PART OF STORYTELLING IS LISTENING. Sometime back, I drove up to Mukilteo, took the ferry across to Whidbey Island, and at 3.00pm had tea with the Zen Master, Sōgenji Abbot, Roshi Harada Shodo. I had been introduced to him at a... Read More
by GIRVIN | Motion Pictures, Storytelling | Aug 29, 2018
IN THE SCHOLARLY WALK-BACK IN DESIGN TIME, COULDN’T YOU LOOK INTO THE SCRIPTED CALLIGRAPHY OF A TIME OF CENTURIES BEFORE? YOU SHALL STUDY THAT WHICH EXHALED LIFE INTO THE WRITTEN NOTATIONS OF MARY STUART’S ASTONISHING LIFE. You could go back. To go forward, look back,... Read More
by Tim Girvin | Brands, Concepts, General | Aug 24, 2009
Studying the context of intuition in branding When we’ve had the opportunity to explore the notions of testing — locally, nationally, internationally, even in micro-community and localized interceptions — it’s interesting to consider what is... Read More
by Tim Girvin | Brands | Nov 4, 2019
DESIGNING BOOKS AROUND THE CONTEMPLATION OF THE MOMENTARY It’s been said that haiku are the quintessentially delicate framings of momentary meditations on instances of fleeting revelations, tripartite in two ways: three meditations, as well as kigo (Japanese,... Read More
by Tim Girvin | Brands, Concepts, Storytelling | Nov 29, 2017
DRAFTING ABSTRACTION — THE MYSTERY OF PRESENTING NOTHING AND ABSENCE OF PRESENCE. In our brand work, we’re always looking at how to “be there,” how to “present,” how to offer solutions that are about context, place-making, certainty of premise, a real promise and... Read More
