by Tim Girvin | Brand Mysticism, Brands, Concepts, Storytelling | Jun 5, 2019
THE WHORL OF IDEAS AND INSPIRATIONS. A brand is like a spiral—could be a channel, could be the opening of a drain, could be a spigot pouring forth—but in one way or another—it’s a channel: outflow, inflow. Its success will be the fluency of its convergence—the...
by GIRVIN | Concepts, Motion Pictures | May 2, 2019
How do you design for the impending potency of silence? This was a problem presented to GIRVIN when tasked with developing the movie title for John Krasinski’s directorial debut “A Quiet Place.” The process, for us, begins with the script. Located in a secure spot at...
by Tim Girvin | Brand Mysticism, Concepts, Storytelling | Mar 13, 2019
A CLOUD OF MINDS, CROWDSOURCING IDEAS, INNOVATIONS AND DIRECTION: WHERE COULD YOU GO? AND HOW COULD YOU GET THERE? CUMULARITY AND MUSICALITY: THE THUNDERSTORM OF MINDS, A MUSICAL WHORLING TOWARDS THE NEW: NIMBUS NIMBLE, TORNADO TURNTABLE, STRATOS STRATEGY: I’ve...
by Tim Girvin | Brand Mysticism, Concepts | Jan 2, 2019
ISN’T IT SO THAT OUR JOURNEY IS A STRIDE TO FINDING? It’s the quest and questioning of—the something in and of ourselves—the walk and the wander that powers the light of our creativity, which is a spiritual path—since really, creativity is about spirit. And spirit =...
by Tim Girvin | Concepts, Designers, Interior Design, Storytelling, Trends | Nov 14, 2018
DESIGNING FURNITURE THAT PROTECTS THE USER. As a designer, I’m frequently talking about the core power of markings. In fact, at Mark Anderson’s futurist, high tech conference—this year in ParkCity, Utah, I was doing just that—talking about the symbolism of the mark...
by Tim Girvin | Concepts, Storytelling | Oct 13, 2018
THE DESIGN VOCABULARY: VISUALIZATION, MESSAGING AND THE PATTERNING OF IDEAS, MARKS AND MEANING. I had a chance to present, at the behest of the esteemed Mark Anderson a string of ideas at the Strategic News Service presentation of FiRe at the Stein Ericksen Lodge in...
by Tim Girvin | Concepts, Storytelling | Sep 26, 2018
WE DRAW A LETTER AND PRESUME THAT THERE IS A GRASPED MEANING, BY ALL. ISN’T IT POSSIBLE THAT EVERY MARK HAS MEANING? IT’S SIMPLY GRASPING THAT LEGIBILITY; IT’S THAT YOU [MUST] KNOW HOW TO READ [THEM]. OR THAT YOU NEED TO LEARN THIS NEW LANGUAGE AND THE FORMS THAT...
by Tim Girvin | Concepts, Storytelling | Sep 5, 2018
THERE IS A WORD AND A STRING OF LETTERFORMS; AND IN THE CONSTRUCT OF THE TWO, THERE IS MEANING IN THEIR BEING. CONTEXT AND WHAT THAT MEANS FOR A DESIGNER, A BRAND AND AN EXPERIENCER. [Above] Tim Girvin shooting words, textures, materials | photo Dawn A. Clark IN THE...
by Tim Girvin | Concepts, Storytelling | Aug 22, 2018
THE VERY NATURE OF THE WORD CALLIGRAPHY PRESUMES BEAUTY, THE QUEST FOR A LETTER FOR WELL AND BEAUTIFULLY DRAWN—AND TO SOME, DISTINCT FROM LETTERING, WHICH IS MORE OF A BUILT FORM OF LETTER-MAKING. Make by hand, drawing letterforms is a foundational prelude to type...
by Tim Girvin | Brand Mysticism, Concepts | Jul 11, 2018
YES, THAT’S YOU: NOTHING, ERASED, WASHED-CLEAN, THE PROVERBIAL BLANK SLATE? I found this twice, two objects that were mysteriously titled: “intentionally blank.” First time in a hospital room. Then another in another in a different place. “Intentionally blank.” What...
