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GIRVIN | Strategic Branding & Design | Seattle

GIRVIN | Strategic Branding & Design | New York

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT
BRAND TOUCH: SENSUALITY AND THE IMPLICATIONS OF SENSE IN THE VIBRATION OF BRANDING

When you think about it, would you describe yourself as a sensualist? Would you call yourself sybaritic? Do you indulge in exploring sensation? You’re a…voluptuary, bon viveur, sense-seeker?

When you contemplate a brand experience, your relationship to the enterprise, is there something about touch?
––––
As a student of etymology, my journey—from Middle School Latin–is to look at lexicographical modeling, how words have histories, layers of content and meaning that reach to their etymon—“the true meaning of a word,” according to those that made the word: the Greeks.

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT

These can be mapped and built out to a foliage of arrangements of words and their meanings—as interrelated branches. That map-making comes back to an earlier brand consulting effort, walking around word searching programs and App development–a word cartographic tool that is expansible—one word search leads to another, which is VT.

It’s a word gardening tool that speaks to those that might
have an affinity for tendrils of information —
entwining paths to more words.

And more.

This word, sense—which speaks to feeling: Latin: sentire, I was thinking about the nature of sensation and sensuality, the holistic sensate spiderwebbing of scent, sight, hearing, taste and touch.

sensation (n.)
1610s, “a reaction to external stimulation of the sense organs,” from French sensation (14c.) and directly from Medieval Latin sensationem (nominative sensatio), from Late Latin sensatus “endowed with sense, sensible,” from Latin sensus “feeling” (see sense (n.)). Meaning “state of shock, surprise, in a community” first recorded 1779.

sybarite
“Those who don’t mind indulging in too much of a good thing are good candidates for this word, which denotes one devoted to gratifying sensual pleasures. Their role models were the denizens of Sybaris, an ancient Greek city in what is now southern Italy.”

The point to designing experiences will be how wholly you, as the theorist, designer and strategist for sensate sequencing will embrace the character of how the senses interplay—the sensuality of it all: whole.

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT

In the past, we’ve written of a metaphor to think about branding as spherical—with all the senses linking into one impression set—in the construct of brand rippling, the ever-expanding
circular rhythm of awareness,

We’ve thought—in these brand metaphorical meditations—and written, about passion and pain, magic, sentience, and attention all as attributes of that layering of experience in the context of the spherical nature of sensationalism.

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT

As we’d noted earlier, to the modeling of sentience and sense they are inherently two different words in their original etymon—one, sentience, from the Latin, sentire which is, simply “to feel.” While the framing of the historical context of sense, from the Latin, sensus — which, in its most ancient voicing is “to go” — and in later interpretations, it came to gather content through the centuries of use, which is: “perception, feeling, undertaking and
the
quest
for
meaning
,”

Ultimately — sense and sentience are two different words, but they both have the deeper seed [PIE: sent] meanings of “feeling.”

If you feel something, you’re going there—you’ll touch it, because you’re close[r]. And as designers of experiences, it’s precisely that—we’re going somewhere, that new kingdom of sensation and journey—and are our audiences coming along for the ride?

We’ve talked about
that idea — “going there.”

You’re not here, now—you’re there, someplace new, you’ve crossed a threshold to a new perception of “place.”

Some people are highly analytical in their relationships to brands—they think-through pricing, value, relevance to need, resonance to holism.

It’s not emotional—it’s relevant because it serves a use; it’s dispassionate and remotely committed. But it’s a start.

A harder sell. A different set of judgement tools.

“I’m not going to be fooled.”

Others move from a scanning analysis to an emotional connectivity that is almost more psychic to the haunt of desire—the holistic story is embraceable, but it’s not only embraced, then engaged, but finally held as a resonant belief.

Others define this as a statute of neurological—emotive branding, we’ve commented on that premise.

Still, even neurological strategies come back to emotional captivation.

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT

This grouping of images, from a GIRVIN talk at a conference in British Columbia close the premise—brand, emotionality, design unthinking—the sensual base of brand meaning.

BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT
BRAND FEEL. THE STRATEGY OF SENSATION IN BRAND DEVELOPMENT

Think of experience design strategy as an experiencer—your journey in, to, inside, around and through.

You smell.
You taste.
You hear.
You touch.
You see.

Design like it.

Tim | G I R V I N | OseanStudios
––––
Rethinking Beauty:
Brand Strategy & Visualization
Girvin BrandJourneys